IamCaltrain.com launches on new Yahoo Maps API

Flickr Photo Download: IamCaltrain Launches on new Yahoo Maps APICal and I teamed up on IamCaltrain, the easiest way to plot your daily Caltrain trip and figure out when the next train is coming. I’m really pysched about this little app and hope to continue to improve it over the next couple weeks (and at the upcoming SHDH).

Mashing up the APIs

Of course this is only yet another example of what is becoming the de facto standard behavior towards remixable web apps. Just check out Yahoo’s Maps API Application Gallery. Even the New York Times are picking up on this trend, writing about a recent Pew study that claims that 57 percent of all teenagers between 12 and 17 who are active online – about 12 million – create digital content, from building Web pages to sharing original artwork, photos and stories to remixing content found elsewhere on the Web. (emphasis mine)

In discussing Yahoo’s new pretty maps, Robert Scoble brings up another idea that I think is worth mentioning… mashing up the design of other APIs. While he cites a number of reasons Google’s maps are going to win the coming advertising war (think Minority Report on the web), there’s a far more interesting aspect to this story that I also hope to explore at this Saturday’s SHDH:  that of reusing the design of popular APIs to push the adoption and use of open source tools.

While some might argue that this is commonplace in open source already (for a pertinent example, AGPL’d CiviCRM has both an API for Drupal and Mambo/Joomla and makes use of the Google Maps API), I’m suggesting that there are new opportunities to build publishing apps that use existing, working APIs to publish to open source content management backends. The primary example I have in mind would use the Flickr API to publish media (primarily photos) to Drupal or WordPress using existing tools.

While the goal is not to necessarily achieve the same socially rich experience that Flickr offers, it would be quite useful to jumpstart the wider behavior of publishing photos to open systems — bypassing Flickr when you have more mundane or private image hosting needs.

So what I want is Gallery, the Drupal Image module (walkah, you listening?), or a WordPress plugin to reimplement the Flickr API and allow me to use 1001 to upload my photos to any of the sites that I participate in. This would be a boon for sites like DeviantArt or even print shops Zazzle, but also my humble little blog. Rasmus went and wrapped the API in PHP, but what I want is something that actually allows me to publish to any site — not just Flickr’s. Any takers?

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Licensing the Uncreative Uncommons

Uncreative Uncommons LogoMy good buddies over at the supr.c.ilio.us blog have invented a license that just makes sense. Dubbing it the Uncreative Uncommons Humor-LinkBack-Don’tRepeat license, they’ve single-licensedly made it safe to publish humorous content on the web without the fear that someone else might get away with retelling one of their jokes who actually doesn’t get it.

Makes sense to me. Full disclosure: I designed the logo and icons, borrowing massive inspiration from the original commons of the creatives.

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Helping nonprofits and NGOs join the digital revolution

All this past week, TechSoup, a technology provider for nonprofits, has been running an online gathering to degeek current technologies that encourage openness, collaboration and sharing. Over the course of a week, they’ve covered topics like:

On top of that, they’ve very wisely started a resource on NetSquared for cataloging successes that nonprofits have found putting technology to use:

Has your organization solved a problem, reached new heights, or re-energized its base — thanks to a digital trick or two? Have you seen another organization use technology to help accomplish its goals? We want to hear these stories, and we want you to share them with other non-profit leaders.

Participate | NetSquared

TechSoup will also hosting an event called Net Tuesday Tuesday, November 8, 2005 in San Francisco to continue the dialog about how nonprofits can leverage technology in their respective missions.

On top of events and microconferences like Aspiration Tech‘s annual Open Source Usability Sprint, CompuMentor’s Nonprofit Technology Roundtable Series and the Craigslist Foundation Bootcamp, it seems like it’s a very good time to be a nonprofit looking to get started with open technology!

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Flock on the BBC

Flickr Photo

Here is why Flock is interesting: over the past two years, the way we use the internet has started to change.

BBC NEWS | Programmes | Newsnight | Internet Part II: Return of the geeks?

There you have it. The BBC’s Paul Mason sums up the reasons why Flock makes sense.

Of course, it’s really not that simple. Firefox does and will continue to be the best browser around for most people. But for those who want a little more – who want to use the browser to directly engage with the people and ideas they encounter on the web – maybe Flock can help make that process a little easier and a bit more exciting.

Anh, we’ll see.

Flock Postage Stamp Contest

Now that Flickr is offering all kinds of new services (including stamp printing!) I thought it’d be fun to do something about it!

Flickr PhotoSo how about this? You design some kind of way cool Flock-inspired postage stamp and we’ll print it. I can’t say how many we’ll print, but chances are it’ll be a few (since we’ll need stamps to send out the shirt we’ll give you in exchange for your entry!).

Let’s say this little contest goes until Nov 5.

Here’s how to play: create a stamp using this template (borrowed from Postal Shirow). Upload it to your Flickr account and tag it “flockstamp” and add it to the Flock Art pool. Based on interestingness and some good taste, we’ll pick a winner and print the stamps and give you some other cool swag.

Questions? Just drop me a message!

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Opera drinks the Googlejuice, finds business model

Don't ask me about my business modelAfter my buddy Om Malik did some digging, it turns out that Opera’s move to make its browser free had less to do with its community and more do to with inking an increased compensation deal with Google. This makes plenty of sense in terms of Opera’s longer term viability (paying for browsers is simply no longer an option — sorry OmniWeb) but also suggests that my spidey-senses are becoming more and more savvy:

Though they claim that “Opera fans around the globe made this day possible,� for some reason, that sentiment rings hollow to me.

So now that we have Mozilla Corporation and Opera showing that a viable business is possible through leveraging various browser defaults, it makes it somewhat easier to begin to answer a question we get a lot.

It’s interesting to note that Opera CEO’s answers to various interview questions could be considerably generalized to apply to many of the browsers currently competing for mindshare:

[Browsername] Watch: [Browsername] is a commercial company; how do you plan on generating revenue from the desktop browser?

[Browser Company CEO]: Through search and service deals. We will continue to provide services that enhance the browser experience. We will continue to add services, as long as they improve the overall user experience. The user comes first.

Post script: As for wrestling the number one spot away from the giant gorilla, well, we’ll just have to see who executes best. I’m not entirely concerned about that personally, as I would rather be focused on building tools that are simple, elegant and relevant to a good number of people. Seems to me if you start there, it won’t really matter whether you’re first first, third or eigth. How you got there would be just, based on the quality of your work and not the number of exclusive OEM deals you might strike. Heh, but I digress.

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Opera goes free…er!

Opera goes free...er!Well, this is Take 2 of this post, so excuse me if I hurry through it. Apparently eating your own dogfood can be somewhat painful. Oy.

Anyway, I was writing about announcing that it’s making its flagship browser free… er. And what it means…

But then crashed. Damnit.

Oh well.

So I’ll try to make this quick: my contention is that, first, Opera must remove the banner ads if they want anyone to keep using their browser (at some point, speed and security become somewhat less salient selling points when the overall experience of using your product is downright insulting — yes, I’m an AdBlock diehard). That and, according to fellow Flockers Ian and Manish, their mobile business is doing just fine, so charging for something that they want to spread the adoption of doesn’t really add up anymore.

Though they claim that “Opera fans around the globe made this day possible,” for some reason, that sentiment rings hollow to me. While they do boast a shiny community site, I dunno, I personally prefer the rough and tumble aesthetic of my old haunt, Spread Firefox. It wasn’t perfect and it hasn’t had much going on since I left this past spring, but it did feel more alive to me than the community that apparently got Opera to go banner-ad free. I mean, if that’s there biggest achievement to date, whoopee?

The Ajaxian blog asked a pertinent question about this move: “Does anyone care?

Aside from a few handfuls of people who will be happy to see the banner ads go from their browser, I’m not sure that there are that many folks left who haven’t already paid for the license who will care. While we might see another percentage point increase in Opera adoption as a result of this move, it doesn’t strike me as significant as coming out with a better narrative for their browser.

I mean, with Flock, we’re pretty clear on what our vision is: we’re building the social browser. What does that mean? Well, it’s an evolving thing for sure, but I know that as long as you have the ability to pull down content from the web, you should have the tools to respond to it or quickly and easily tell your friends about it. Though some of this functionality already exists in nice apps like Ecto, MarsEdit and Cocoalicious (all of which I use), there’s still something lacking in the workflow that would allow us to treat our blogs more like distributed conversations, rather than one-off statements. And no, track- and pingbacks are not enough!

In any case, I do welcome the addition of another… freer… choice — and I love that we’re finally seeing the beginnings of some real competition heating up in the browser space. Even the slumbering giant seems to be waking up, though I’d wager just in time to see David start slinging his stone. Heh.

On designing in ambiguity

Bala Pillai, a friend of mine from Malaysia, sent me an interesting post that spurred a thought on the design work that I’ve been doing lately on Flock.
As an advocate for Asian economic development, he proposes that Asia is no longer “the producer of quantum inventions” because of “Good vs. Devil” religions that measure in quantities of right and wrong or black and white, which, he suggests, have lead to a certain intellectual inertness.

“…folks in Malaysia for example, don’t even realise that nearly anything significant we use, is conceived, designed or created overseas. And it is in conceiving, designing and creating that the most fun, the greatest bucks, the best jobs are. (And the shame of it is that Malays who are overall known for their creativity and imagination pay heavily for this.)”

In essense, because of this rigidity of thought, it is harder to achieve an objective perspective, especially about oneself or one’s work. Therefore, self-appraisals tend to favor those aspects which reenforce the ways in which your actions are consistent with your dominant beliefs. If this were not the case, the cognitive dissonance between objective fact and your subjective fiction would become overwhelming!
However, Bala makes an astute observation about the recent capitalist successes of the Chinese:

“If not for non-religious Chinese risk-taking and entrepreneurship in ambiguity, [Asia would] be in lots more worse shape then we are.”

What’s so curious about this is how embracing ambiguity encourages a certain kind of creative acuity that leads to intellectual dexterity to see around problems in novel ways. It dawned on me that some of the struggles I’ve had recently with design decisions in Flock have stemmed from my failure to use the ambiguity of the problems as opportunities to do something new or interesting. With limited time, I would float back to known or established solutions that didn’t always feel right but would seem to follow existing design paradigms sufficiently.

Consider, for example, Flock’s initial blog manager. I followed Thunderbird or Outlook’s models of having the accounts on the left, messages listed on the right and the composition area in what is normally reading area. This design was fundamentally weak because it relied on an existing solution grafted onto an entirely different problem. Once I accepted the ambiguity of the situation — exacerbated by the numerous solutions available for blogging — I realized that what we needed was something that didn’t encourage the management of your blog, but rather the act of composing and creating.
And with that, a solution emerged which will make it into the next iteration of our browser. One closing thought, again by way of Bala:

“Great work is done by people who are not afraid to be great,” Flores says.

The World According to Flores exists in three realms. The first is the smallest — and the most self-limiting: What You Know You Know. It is a self-contained world, in which people are unwilling to risk their identity in order to take on new challenges. A richer realm is What You Don’t Know — the realm of uncertainty, which manifests itself as anxiety or boredom. Most things in life belong to this realm: what you don’t know about your future, your health, your family. People are always trying to merge this second area into the realm of What You Know You Know — in order to avoid uncertainty, anxiety, and boredom. But it is the third realm of Flores’s taxonomy to which people should aspire: What You Don’t Know You Don’t Know. To live in this realm is to notice opportunities that have the power to reinvent your company, opportunities that we’re normally too blind to see. In this third realm, you see without bias: You’re not weighed down with information. The language of this realm is the language of truth, which requires trust.

Fernando Flores, The Power of Words

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